Tony, who is not only a puppet maker but also an x-ray artist (visit his blog: xraygraphics), commented on my post yesterday that the artwork I put up is very tactile. He put his finger right on the core of my art. To explain where it comes from I have to dive down into my personal history. In a nutshell: back in the day I took to Photoshop like a duck to water and have been teaching digital imaging for 20 years. In the beginning I really enjoyed working with blend modes and masks to create amazing textures. But along the way, I realised how much our brain tricks us into perceiving surface properties. When you touch a print it is always flat. The appearance of texture is created by our brain interpreting what we expect to be there. So we see texture that really isn’t there. Over the years my yearning for honest textures grew stronger and stronger.
I created the picture I’ve put up today in 2007. This is one of my favourites from my Photoshop era. In this triptych I used 4 different background photographs (a wooden door with flaky paint, a stone wall with a window, an iron watch tower in a forest, and a 200-year-old lace curtain) and combined them in different ways to bring different properties to the fore. My work is generally about relationships. This one describes that in a good relationship you should be allowed to be strong or weak at times.