I was lying in my last post! It wasn’t all hard work. Before we dived into the hot phase of the last preparations for the exhibition, L’Artiste wanted to have a little time out. To get away from the others he suggested a road trip up North. As he can’t drive, (he is too short to reach the pedals) L’Artiste usually keeps himself busy with an ongoing project he calls “Driveby shooting.” It is pretty easy in New Zealand. You just have to hold the camera out the window, press the button and presto, you have an amazing photograph. No, honestly, there is a message in his project. :) This time he used the mobile phone for the first time to take the pictures and he found out it is much more diffcult than with his trusted SLR. Anyway, here are the images from from the last trip. They were taken around Broadwood in the Far North.
I am still not sure what an artist actually is. I tell others that everyone is an artist, even though I have problems calling myself one. Do you need an audience who appreciates your work and puts a value on it? Is someone who produces stuff without selling or exhibiting merely a creative? I create to understand the world around me. That is it!
I took this photograph in 2010. I even had a large 10-colour print mounted on dibond, which I gave to a friend when our ways parted. The concept of the image is such a cheesy stereotype and I can see heaps of things I could have done better, but at the time it felt right.
Yesterday my friend and I went to Waiheke Island to deliver the Lil’Dedes to their temporary accommodation at the Upcycle Gallery. Here you see Lil’Devtoo on the ferry when he first spotted the island. He was really excited and proudly wore his new dress my friend had made. Doesn’t it look better than the tiger print dress Lil’Devil bought at the two dollar shop?
As skeptical as they all were in the beginning, I think they are very happy now that they have made the trip across. Nora, the lady who organised it all, is absolutely wonderful and loves them to bits (I hope she doesn’t spoil them too much). I am confident they will thoroughly enjoy their stay. I will go and visit them on the 7th when I have a talk at the Gallery about my work and my book.
Tomorrow we will take down the exhibition. I had hoped our treehouse would be finished by then so the puppets could move into their new studio space. But no, we are still not there… Today the plasterers sanded down the walls and hopefully the floor will be sanded in the next couple of days as well. The picture above shows the view from our first floor addition. Unfortunately a balustrade, that is still to come, will block much of the view of the beautiful trees. I absolutely love the treehouse and I think living for 5 months on a building site will be worth it in the end. Never mind that we won’t be able to go on holiday for a long time to come.
The trees in front of the house are full of native birds and I captured one of our feathered neighbours yesterday. It is a Tui. These birds have the most beautiful song to wake up to.
This week I’ve seen the first promotion for the Dede puppet exhibition, which will be at the end of June in the Depot at Devonport (Auckland, New Zealand). It was printed in the Gallery’s quarterly magazine. The blurb reads as follows:
Dietlind Wagner, Dede puppets 22 June to 4th July. Opening Saturday 22 June 3pm to 4:30pm
In a hyper-communicative world Dietlind Wagner slowly transforms old news into her vibrant colourful character heads, Dede puppets.
For Wagner, these sculptures are a vehicle to express introspective views on interpersonal communication. Her puppets are designed to charm, bewilder and even repulse thus inspiring reflection within the viewer. The puppets uniquely sculptured and collaged faces allude to the fractured personalities in the fast paced world of modern-day communication. The stories they tell are homage to real friends and real people with all their flaws and idiosyncrasies. Being a very private person Wagner has not exhibited extensively but her puppets have managed to tease her out into the public. An installation of five puppets was selected into the finals of the 2012 Wallace Art Awards.
I’d better get back on track…I am meandering a bit at the moment!
When I arranged the exhibition, I knew I was cutting it a tad fine with the renovations that are going on in my house. The Dedes didn’t even exist, when we started planning the extension two and a half years ago, but the physical build started in February this year. Silly me, I didn’t expect the actual build to impact on my psyche. The whole thing is supposed to be finished at the beginning of June. Has anybody ever finished in time?
The pictures here are two weeks old and the build has progressed since. In the meantime everything is wrapped in building paper and the cladding is nearly completed. Soon we will have a staircase going up to the first floor. The floor boards are still missing though. And yes, we are really living on the site. Under the remaining black tiled roof.
I am really missing my easel at the moment. All my paints are stored away while we are renovating. In the meantime I try to capture painterly moments with my camera.
This here is an extreme close-up of an old-fashioned tap I have in the laundry. It goes with a concrete basin and I call it my ‘cow trough.’ Two cows could easily drink from it side by side. I guess it has been in the house since it was build in the mid-sixties of the last century and it is so easy to imagine, how the previous owner (who built the place) was sweating over the trough on wash-day. I am very hesitant to replace it, even though it is very clunky and has a lot of dings and dents. It is just perfect for cleaning brushes!