Archives for posts with tag: story telling

The connection to yesterday’s image is the cross. The X in the light painting could not deny it’s relationship with this symbol here. It is a beautiful light in this image and I love the stark white against the black cloudy sky. The meaning of the power lines severing the symbol from its base, I leave up to you.

Religion is a subject matter I usually avoid. All my life I knew there are two things I would never become: A revolutionary or a missionary. I lack the necessary conviction for either. This doesn’t mean that I don’t have a view point. In fact, I have very strong view points, but I also believe that opinions can differ and still remain friends.

I have a Bible though and I remember how I got it as there was a great lesson attached to it.

I was raised a protestant and when I was fourteen I went to prep classes for Confirmation. For the actual event, the congregation shouted each of us a “new entrants” Bible. The Bible came in two colours: red or blue. So the pastor asked the thirty of us which colour we would like, so he could order them. First red – heaps of hands went up. Then blue – only one hand was raised. Oops… everybody laughed and looked at me. It was a truly embarrassing moment, but I didn’t change my mind. I simply couldn’t imagine a red Bible.

When the Bibles finally arrived, the red was a totally obnoxious shade and I had around twenty-five offers to swap my blue one. I still have the blue one in my bookshelf.

My idea with the Chinese Whisper caused me considerable pain last night. In my head I went through my image collection and found, now, that I really had to think about how I can link images together without it seeming forced.  … Then, I couldn’t find the image I wanted to use today on any of the hard drives at home. It is definitely in my master collection at work. Finally I decided to use this one here, which is the ultimate motion picture. It is the motorway just South of Auckland late at night taken from a moving car using a long exposure (I was bored!). I also moved the camera around to get an erratic pattern. I dislike photographs of cars.

The motorway is another thing that is totally different here than in Germany. In Germany motorways connect different cities, so they are a  fast route through the country side. In New Zealand the motorways take you through the cities. They are a quick route to different parts of the metropolis, in particular Auckland. More than half of the not even 200 kilometers of motorway we have in New Zealand are within the Auckland Region.

I digressed again, didn’t I?

The blog is supposed to be about the dede puppets and it is time to introduce the latest addition to the troupe: Push-Push. She is a nice enough puppet, but she is always blowing her own trumpet. If you look past the glitter, you will find she is plain boring, and doesn’t have many ideas of her own. She loves to slip into her colourful circus gear and a real transformation takes place: “Look at me, look at me, look at what I can do” she calls out.  And then she shows you tricks as old as Methuselah. “Yawn,” I say and walk away.

These two, Pig and Witch, were early puppets. (If I recall correctly, Witch was the third puppet I ever made). They are a reminder of how relationships change over time. These two were really good mates once, but now they can’t stand each other. I don’t know exactly what happened, but I suspect it is because Witch turned into a health freak and a teetotaler, while Pig likes his booze. Pig is now hanging out with Professor while Witch keeps more or less to herself.

I noticed the more puppets I make the more negative (in my opinion) traits they display. The first lot of fifteen, they were my friends. They have their little quirks, the ones you just reckon with in friends. Some of them I like more, others a little less, but they are all puppets I wouldn’t mind inviting round to my place.

The newer ones are more like acquaintances. I know them, but some of them have traits I totally dislike. The worst is, that I can easily come up with these now.

I have two more books planned for later this year, early next year. The next one will be of course about Puppy the love sick stalker (by the way, he has moved back into the house and he is starting to annoy me) and the following one will be about Hermit loosing his job. Pretty sure all the negative characters will find their place in this one.

I am currently working on a puppet called PushPush. It is one that drives her own agenda, no matter what. Along the way she tramples all over the others. Yes, pretty sure you find her at the average workplace. And then I think, I really need to get started on Procrastinator as well.

I have created twenty-six characters to date and so far have only one character I really dislike. This is Twoface.  She looks straight at you and smiles. Superficially she looks like a pleasant enough person, very non-committal though. Her response to what you say is usually: “Ah, yes” or “Really” or “Indeed.” But you know exactly she doesn’t give a toss about anything. Even worse, when you turn her around, she has a second face rolling her eyes and it is very clear she believes everybody (except for herself) is a tosser.

I haven’t incorporated her in any stories yet, but I think she will become the boss. I will only use her if absolutely necessary.

two_face roling eyesNow that I look at her second face and know that she is the boss, I feel slightly sorry for her. She must be in middle management and feels a bit of pressure from higher up. While she rolls her eyes, she does look a bit scared. But still I thoroughly dislike her behavior and I will stay clear of her as much as possible.

A friend of mine gave me a book of short stories by Paul Gallico to read. The one she wanted me to read in particular was Love of seven dolls. I wonder why?

No, seriously… I would not have understood the story entirely, had I not started making puppets myself.

The story was written in the early 1950’s and is set in France. It is about a puppeteer, called Captaine Coq, who saves a young girl from throwing herself into the Seine by letting the puppets talk to her. The girl and the puppets become good friends, but Captaine Coq himself is a real bastard. As the girl has nowhere to go, the puppets invite her to join the show. She interacts with the puppets naturally, and endures the treatment of the Captain. After the show becomes a success, the girl finds an admirer who wants to marry her. She is set to leave and the puppets are terribly sad, but Captaine Coq couldn’t give a toss. Only at the last minute is he able to express his own love for the girl.

In the reviews the girl is always the heroine, who saved the nasty puppeteer through her love for the puppets. If I hadn’t started puppet making, I would have seen it in exactly this way. But now that I know the spell hand puppets cast on their puppeteer, I know the puppets were the real heroes and ultimately Captain Coq saved himself by creating these puppets. The girl could have been replaced by another girl or another incident. But without the puppets, he would have lost touch with the real world entirely. He could not have escaped the shell he was in, a shell that was forced upon him by war.

The story tells us he had started making the puppets in a POW camp out of boredom and he started to entertain his fellow prisoners. Through his experiences in the war he had obviously lost his believe in the good in people. The war crippled him emotionally. A sarcastic bastard in real life, he could act out his caring and benevolent side through the puppets. In this way he could maintain a little flame of warmth.

Believe me, I have thought a lot about the crippling emotional effect of war. After all I am German… Emotional coldness is a black neck swan!

This image here I took six years ago. I like the juxtaposition of the lines with the round crater. For obvious reasons I originally called it “Square peg in a round hole.” It is just a close-up of some rocks we were climbing over at the time.

When I accidentally came across this image today, a totally different interpretation jumped out at me.

There is a little story to go with it: A friend of mine, a school teacher, was once asked by one of her pupils: “Tell me Miss, what was the world like when it was still black and white?” I just love this story. The pupil was of course referring to black & white photography and TV.  When I first heard the story, I thought it was so cute I laughed. Today, my answer would be: “The world was more colourful then…” as there must have been so much more room for imagination.

Today, when I glanced at the photograph, I instantly saw a smiling face with a rock hurled at it from a giant fist. When I showed my discovery to a friend,  he couldn’t quite follow. So I coloured it in for him in Photoshop. Now the image is called: “Honestly, I didn’t see this coming!”

However this is a very disturbing interpretation, and I went looking for another image. It took me a while, but this time it is called: “Life is beautiful!” It shows two playful figures in the sun.

Thank God you always remember what you saw last. I have difficulties seeing the giant fist now when I look at the black and white original.

Everything around me is in flux at the moment. I am not a rock, I am a pebble.

Rocks brave the tide. They are strong and stand their position. But over time they will be ground down.

Pebbles on the other hand are small fries. They might get uplifted and swirled around, yet it is very reassuring they will settle again. A few inches to one side maybe, but there is always a chance it will be in an even sunnier spot.

For now I am happy it’s Friday again.

This is a bit of false advertising! I am currently trying to tie up so many loose ends. For the first time I sat down this morning and didn’t know what to write about. I have to meet somebody relatively early this morning and am therefore under some time constraint. I looked through the images I have taken recently and found this lost looking oyster catcher. The only thing to pick on this bare ramp is a plastic bottle cap.

I’ve just finished this little book called “Modern Puppetry” by a guy called A.R. Philpott. He was obviously a very famous puppeteer in his time, known as Pantopuk the Puppet Man. The book is mainly on puppet making, but touches on performing and the current state of puppetry in general. Current in this case means 1966, as this was when the book was written. I am surprised how much puppetry still seemed to have been part of society then.  But I suspect in the meantime I am just living at the wrong end of the world for puppetry.

One sentence in the book really touched me. He talks about finding material for your puppet show, he says: “Once you need them – that is as soon as you start being a puppeteer – ideas will come, a part of your mind being always alert for new possibilities – and not only for puppet characters but also for situations in which these can find themselves on stage. Plots and plays are inseparable from characters.” [p40].

Phew, so I am normal!

I didn’t really want to write about what happens in the dede world today, but there was another incident.

Monster waited up for me. He sat quietly in the corner and waited until I came past. “Psst” he said, and at first I could hardly hear it. “Psst” he said again and I looked around and there he was all scared, squashed into the corner. He is an ugly little thing and one doesn’t know where his front and back is, but his dark black button eyes stood out.

“Can we talk?” he continued. “I don’t have much time, so make it short” I said looking at my watch. I was happy to lend him my ear. He comes across as a fairly rowdy one, I assume much of it is facade. Once you know him, he can be a really nice guy. But one thing is for sure, he is certainly not one who wins you over at first sight. You have to look twice and engage with him for a little while.

“You know, mhm, you know” he hummed and hawed.  There was nothing demanding about him today, not like the other day when he came to see me together with Skeleton. I felt sorry for him as I could see how painful it was for him to get started. Then finally he just exploded and blurted it all out… all his fears.

He virtually begged me to put Lou in his place (if he had knees he would have fallen on them). Deep down he is very worried that Skeleton actually enjoys the attention she gets from this handsome young puppy. He has been observing her. She is looking in the mirror more often than she usually does. If she had hair she would comb it all day. There are countless little signs. He told me around ninety-nine of them …

Monster is worried out of his mind that he will loose her. He is so sure she is his soul mate. He seems to think he would not survive, should she ever leave him.

I had to sit down and just let him talk. He sobbed and cried. It was obvious he seems to think she is his ultimate love. He talked and talked. Finally after an hour or so, he started to slow down, clearly exhausted. I watched him silently. A lot of thoughts flashed through my mind, but I was certain, none of them would have fallen on fertile ground in this situation.

I believe, if they really have such a strong relationship, no puppy, now matter how young and handsome, could destroy it. Yes, the attention might revitalise Skeleton Edeltraut for a little, but only temporarily…. She certainly knows there is more to a relationship than zing!

In the end I put my arm around him and said: “Look, just trust Edeltraut. Don’t be clingy and suffocate her with your love. The more you watch her, the more you shackle her, the more you will drive her away.”

“But, but…”

“No but… Trust!”

“You just don’t understand” he muttered, disappointed.

“Poor sod” I thought.